Lack typeface project began in 2012 when Adrien was commissioned by Rio Nebulane, an electronic music band, to create their first album cover.
Rio Nebulane, First album. Design, illustration and typography : Adrien Midzic, 2012.
The fisrt thing achieved for this work was a visual language etablishment inspired by hieroglyph’s system. Then, a certain legibility became to be necessary to read at least the band name. So Adrien started to search an option to keep this mysterious visual flavor about hieroglyphs into a custom font. This first fruits are really important in the story of Lack, because the research of the limits of ligibility inside the letterform comes from here.
Logotype for test
The research leads design of some letters to compose the band name Rio Nebulane. After many tests proceed to find the good proportions and legibility, the logotype was ready.
Rio Nebulane, logotype, Adrien Midzic, 2012
Back in time, the first Open Type features
The previous tests offered a large choice of letter forms and Adrien wanted to keep them as much as possible. He discovered the Open Type font format. It was a big joy to play and work with this features for the first time. A stylistics set was added to the Lack.
Sample specimen of VTFLack first edition, Adrien Midzic, 2013
Where put and publish this strange font?
Adrien, really proud of this typeface searched a way to promote it. He found the perfect solution with Velvetyne Type Foundry, the really kind guys fascinated by all typographic fields, indeed the most strange.
So, Lack joined the VTF font catalogue in 2013, and it was the first free-font designed by Adrien Midzic.
It could live her own life and been used by graphics designer to serve their graphic design works.
Africavivre website. Design Clément Lecocq
Lack Specimen, a student work. Design : Maxime Barbier
3 years later, a trip and a new friend
Travels is always a good thing, in 2017, Adrien went in Greece for vacation and had the idea to try to make a greek font on his come back. Lack was a perfect typeface for that. He draw the greek letters inspired by his own shoots. At the same time a russian friend come in his life, and he decides to make Lack a real multilungual font! It helps him to draw the letter to make any mistake, because like the Greek alphabet, Cyrillic is really different.
Annoucement of the greek VTFLack version
Annoucement of the Cyrillic VTFLack version
Lack are being met
So in 2018, both of visuals and linguistics missing of Lack are being met.
VTFLack is now updated, it is a brave, contemporary and experimental typeface. It gives you the opportunity to compose in Cyrillic, Greek and latin. It comes in a single weight with her Italic. It started by extending the first VTFLack font edition, designed by Adrien Midzic in 2013. It works well as a display typeface, but is also designed to perform in all kind of texts sizes. Some crazy surprises are hidden into 3 stylistics sets.
Now the Lack’s emblematic set with its crazy uppercases is available in two stylistic sets called O.V.N.I-1 and O.V.N.I-2.
Another set named “Alternate” has also been created, in which alternative forms for some tiny ones are available.
For the release of his last typeface, Trickster, its designer Jean-Baptiste Morizot asked 13 different designers to create unique posters. These posters were shown during the release party at la Générale on the 27th of November, 2017.
Each poster is for sale at a very limited edition of 2 copies, A1 format, 40 € port included. Drop us an email if you are interested before there are no more.
Gaëtan Baehr | Lauren Coullard & Julien Imbert
Sébastien Hayez | Martin Desinde
Hyper Scrypt, the typeface of the Hyper Chapelle exhibition
When Parisian graphic designers AAAAA Atelier were invited to create an exhibition in front of the astonishing Cathédrale of Metz, they decided to imagine the future of this place of worship. From worshiping the christian god to worshiping the gods of rock, they created the imaginary visual identity of the Cathédrale as a concert hall, a futuristic and psychedelic utopian pop communication. They asked Studio Triple’s designer Jérémy Landes to create a custom typeface live along the illustrations they were creating.
This identity is mainly inspired by the crazy stained glass work of the cathedral. Jérémy decided to create a typeface drawn by light instead of shades, to invert the black and the white in a new sort of stencil typeface called Hyper Scrypt. Hyper Chapelle took place at the end of summer 2017 in Tata Gallery in Metz, an traveled to Paris during October of the same year for the release party of the Hyper Scrypt typeface in La Générale.
As Jérémy says it, Hyper Scrypt is at the intersection between 3 metals : the sacred lead of stained glass, the lead of print characters and the heavy metal.
Discover some photos of the exhibition