Libre fonts?
We design libre / open source fonts. That means that you can use, modify and redistribute them freely! Learn more and contribute to the adventure of Velvetyne Type Foundry by reading our “about” page!
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Ouroboros 2.1
22 February 2021Improved some curves & added some symbols suggested by artist Hélène Mourrier. More queer/alternative-culture symbols will be added in the future.
Pilowlava Pilowlava 3D23 December 2020Vincent Wagner of Studio Brot created a 3D model for a wide selection of latin glyphs of the Pilowlava font! Note that this work is not like a simple automatic extrusion. Vincent carefully sculpted every glyph, achieving the rounder and puffier rendering you could get. Note how the z-thickness of the strokes is not uniform, increasing and decreasing with the width of the strokes, but not linearly. The achieved effect is such as the one you would get by bending a metal tube. This work brings Pilowlava into the haptic world.
Those 3D glyphs have been modeled for subdivision. Each single glyph is made from 76 to 786 polygons. This work is released under the Free Art License, meaning that it's freely usable for any personal or commercial use as long as you credit its author, and modifiable as long as you share the modifications under the same license.
Files are available under the .blend .c4d .fbx and .obj formats.
Mourier v2.023 August 2020The 2020 version of Mourier features Cyrillic capitals by Alexander Kondratenko and new glyphs and language support by Ariel Martín Perez.
Le Murmure v1.220 February 2020George Triantafyllakos added the Greek glyphs to the exisiting latin and cyrillic sets already supported by Le Murmure.
More Anthony
Sir Anthony Alfred Caro OM CBE (8 March 1924 – 23 October 2013) was an English abstract sculptor whose work is characterised by assemblages of metal using 'found' industrial objects. His style was of the modernist school, having worked with Henry Moore early in his career. He was lauded as the greatest British sculptor of his generation. His work Veduggio Glimpse, on loan from the Metropolitan Museum of Art, is currently on display as part of Landmarks, the public art program of The University of Texas at Austin.
CLASSICAL MECHANICS
THE main office of the Dodge Manufacturing Company hummed with activity.
Six typewriters were trembling under a high-speed pounding; shipping-clerks scurried hither and thither; bookkeepers buried their noses deeper in the pages of stuffy ledgers and ostentatiously displayed ink-smeared finger-tips. Even the office-boy temporarily paused in his enthralling pastime of carving the credit man's quartered-oak desk to answer the stentorian call of the filing-clerk, an underling ordinarily beneath his notice.
Then Mr. Thaddeus Dodge, president of the company, finished his stroll through the general office and slammed the door of his private sanctum.
Six typewriter keys were hit with a final aggressive bang; six stenographers leaned back and rearranged their hair into more fluffy array. Bookkeepers straightened their bent backs and drummed tattooes with their pens. The office-boy abruptly paused in his mission for the filing-clerk and consigned that worthy to the lower regions.
One of the bookkeepers shivered slightly.
"When the old man sails through this here office," he vouchsafed, "I gets the shivers!"
His fellow slaves of the high stools tittered—with one exception. To Jim Lynch, the head bookkeeper, any mention of the great Dodge in terms other than those of reverence savored of heresy. Yet Jim said nothing. Mechanically he dipped his pen in the ink-well and prepared for more of the never-ending grind
Black Cover Flat (1974)
AaAaAa
Prefabricated metal parts?
Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz
Character Set
/site/assets/files/2176/anthony.woff