Velvetyne — libre & open source type foundry
Steps Mono in use
Steps Mono as been designed by Jean-Baptiste Morizot and Raphaël Bastide. Check Steps Mono page to have more information or to download it
Libre fonts?
We design libre / open source fonts. That means that you can use, modify and redistribute them freely! Learn more and contribute to the adventure of Velvetyne Type Foundry by reading our “about” page!
Learn moreSort in use
- All fonts
- Anthony
- Avara
- BackOut
- BilboINC
- Bizmeud
- Blocus
- Bluu Next
- Boeticher
- Cantique
- Chaumont
- CirrusCumulus
- Combat
- Commune Nuit Debout
- Compagnon
- Daubenton
- Fengardo Neue
- Format 1452
- Fungal
- Grotesk
- Gulax
- Hangul
- Happy Times at the IKOB New Game Plus Edition
- Hyper Scrypt
- Kaeru Kaeru
- Karrik
- Lack
- Le Murmure
- Lineal
- Lment
- Mainz
- Mess
- Millimetre
- Minipax
- Mister Pixel
- Mixo
- Mono
- Mourier
- Ouroboros
- Outward
- PicNic
- Pilowlava
- Résistance
- Runic
- Saintjean
- Savate
- Solide Mirage
- Sporting Grotesque
- Steps Mono
- Terminal Grotesque
- TINY
- Trickster
- Typefesse
- VG5000
- Victorianna
Last updates
Grotesk v3.0
13 January 2023In 2023, a new version of Grotesk developed by Ariel Martín Pérez was released. This new version introduces new weights that are multiplexed, which means that you can change the weight of the font without changing the width of the paragraphs. This new version also presents some subtle optical corrections. Last but not least, it considerably expands the glyphset of the font with a brand new lowercase set as well as language support for Russian, Ukrainian, Tifinagh and many Latin-based languages.
BackOut 2.15 October 2022The 2.1 version of Backout presents improved spacing and kerning, some new ligatures and some subtle optical adjustments.
Basteleur v2.015 June 2022A bit more than a year after its original release, Keussel adds a new sharp thinner weight to the pre-existing soft bold weight of Basteleur. Welcome Basteleur Moonlight!!!
Pilowlava v1.122 March 2022Ukrainian design Maksym Kobuzan added the Cyrillic to Pilowlava, allowing speakers of Russian, Bulgarian, Ukrainian and Serbian languages to play with the typeface. The unicase approach of Pilowlava particularly suits the Cyrillic script and Maksym made a good use of his playful mind to offer a truly original Cyrillic.
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